Education

Wings

(posted 05/22/2021)

I keep a list of ideas on my phone and it seems I never have problems coming up with ideas, but I do have problems deciding on the size of my work. I have this nagging urge to go much larger, but at this point I’m still not sure which pieces I want to take to a more attention-getting scale. I have a real affinity for abstract pieces, and will most likely end up doing some larger ones soon. But, the reason I bring this up is that two butterfly pieces were actually inspired by the size and shape of the canvas. I looked at the two old pieces of wood my aunt gave me and thought: “Two butterflies would look great on there.”

In December of 2019, I did a series of four small butterfly collages to enter into the insect art show at the local nature center. I sold two of the pieces and they were really fun to do, so I went ahead and used the same process for the two panels, “Wings No. 5” and “Wings No. 6.” I have a vintage copy of the children’s book “Five Children and It,” by E. Nesbit. I bought it at a used book store when my daughter was very young. She’s thirteen now and I can’t get her to read “Harry Potter,” let alone a vintage book, so I put it to better use and ripped it apart for this and other projects. I think what makes it even more cringeworthy , as a lover of books, is that I never read the book myself. I mean I may have unknowingly destroyed a masterpiece, but hey, I’m sure there are other copies out there.

I learned in a recent Painting with Fire course from Essence of Mulranny that encaustic can be done over a chalk paint surface. There was much discussion and a little debate over the type of chalk paint, but I went ahead and used the old can of Rust-Oleum Chalked I’ve had around for a few years. It worked just fine as the base, and I actually liked starting with a dark background instead of the usual white. I made some templates for the butterfly wings and flower petals from drawings on tracing paper. This allowed me to see through to the book page to make sure the lines of the pages lined up at decent angles on the wings.

When I created my first set of the wings series collages, I didn’t pay much attention to symmetry. The two pieces that sold were lined up symmetrically so I think that did help their overall aesthetic. I hand tore each piece from the book pages, taking care to not include inappropriate words and phrases, and excited to find some interesting ones.

After I glued down the pieces with Yes paste, I applied black ink lines and designs on the wings.

Next, I covered the piece with two layers of clear encaustic medium and fused them with heat. Once smooth and cool, I applied several coats of PanPastels to achieve the soft colors. The pastels need to be blended and fused after each layer. It’s really quite magical how the pastels from the bottom layer come to the surface when heat is applied.

Wings No. 6, Encaustic Mixed-Media by Rachel Rivas-Plata

For the following piece, I took photos of two of the collages and made negative films from them. This allowed me to create cyanotype images on wood, after prepping the raw wood with a couple layers of absorbent ground. The leaf in the middle is the cyanotype of an actual leaf, and the butterflies were done using the printed negatives. The image of the words on the pages came out quite faint, so if I do this again, I will want to experiment with that to see if I can create more contrast.

Wings No. 5, Encaustic Mixed Media by Rachel Rivas-Plata

So, as you can tell by now, I’m very resourceful in my studio. I often use and repurpose old items to give them new life. Reusing my favorite images in creative ways is something I plan to do more of in the future. To see what pieces are available for sale, see my Home page for the link to my shop.

Color

(posted 04/30/2021)

Today is the first day of a year long encaustic workshop I signed up for at Essence of Mulranny Studios in Ireland. The classes are online so I get the benefit of the classes without having to travel. Although, I’m sure it would be an amazing place to visit someday! The instructor this week is Kathryn Bevier and the first lesson focused on “a la prima” techniques.

I must admit I am not a wiz with color. My earliest art pieces were mostly done with pencil or charcoal and paper, not paints. I was more of a paint-by-number-kit kind of kid. I was so intimidated by painting in college that I dropped the class after the first one. The teacher was a bit too amused by my first go at it and I, being a 20 year old newbie, crumbled at the slightest hint of negative criticism when it came to my art skills. I was obviously not ready to come out of my comfort zone. Fast forward to 30 years later, and I am all about making mistakes in my studio. It really is the only way to learn!

So, for this lesson, I chose to use 3 colors (black and white don’t count). Enkaustikos was so very kind to send me these samples. As you can see, I ended up having to add a touch of red – that was in order to get brown. The object is to keep the color palette cohesive and work from the darkest values to light, adding grays in between. I think I need to try this like 1,000 more times! It is amazing how much you can learn just by mixing colors together and placing them next to each other. The eyes really do fill in the gaps and the colors work together magically at times.

Here are pics of my work from today. I am somewhat satisfied with the results, but realize I do need to control my color choices and plan more on future pieces. This pond study will be one of many before I get it right, I’m sure.

I loved this lesson. I had been meaning to paint a landscape that was reminiscent of the pond we had on our property when I was a kid. My father had the pond started but never saw it filled up because he died in a car accident soon after it was dug. It ended up being a very special place for my family as well as our extended family and friends. I doubt my father knew putting that pond in was going to such an enhancement to so many lives. I’m so glad he left it for all of us to enjoy.

Gratitude

(posted 02/07/2021)

They say “It takes a village to raise a child” and, I believe, it also takes a village to make an artist. To begin my art blog, I think it only right to pay homage to the folks who (most likely not knowingly) have helped me get to where I am now. I have watched many a tutorial, done much googling, paid for some classes, and read several books and articles to be able to create my art work.

I’ll be sharing many more in the future, but this is my most recent list of muses, teachers, and inspiring artists. Check them out!

Alicia Tormey

Shari Ripogle

Nancy Crawford

Elise Wagner