Last weekend, I had a wonderful time showing my art and jewelry at the Nature Arts Festival at Big Creek Park in Chardon, Ohio. Thankfully, my art was accepted into the juried event, which gathered many, many artists from NE Ohio and beyond. I had requested an indoor table and ended up sharing one large room with a jewelry artist, Anne Nelson, who does some incredible things with metal. I also met another encaustic artist, Stacy Cook, and I very much enjoyed seeing her work and hearing about her process. I had a great conversation with another jewelry artist, Cynde Hujarski, who has a really unique style. Many thanks to my husband, Raul, who is becoming quite the art show professional! Once the event began at 10 am, I was pretty much tied to my table. I was hoping I would get more time to venture outdoors to see the other artists – I’ll have to make it a point to do that next time. I did have a chance to see the work in Carlene Holtz’s tent outdoors. She had some really beautiful floral art done on glassware. She is also the owner of MC Art Studio on the corner of Bell and 306 in South Russell/Chagrin Falls, Ohio. Full disclosure: I have some pieces in the gallery there, and it’s a very charming space, so check it out!
Inside, we had a steady stream of visitors, some purchasers, some browsers, and some friends and family. It was very nice to be able to inform people on what encaustic is and the versatility that it brings to my artmaking. Being indoors was definitely a good decision on my part, because it was terribly muggy outside and I believe it rained for a bit as well.
As always, it was so nice that my friends and family came to see me – I appreciate it so much! And it was very nice to meet some fellow artists as well as local patrons who enjoy nature-inspired art. The beauty of our parks is irreplaceable and I love that people are so passionate about spending time outdoors and observing nature. I can literally get dozens of ideas from a few pictures that I take on a hike through the park. Here are some photos of my display, before and after, along with photos of some of the items that sold.
The best part of selling my work is that allows me to share a portion of my profits with NAMI of Geauga County. I gladly made the donation today. I’m looking forward to my next local show … I hope to see you there!
I am so pleased to announce this piece along with the sailboat painting I did a few months ago have been accepted into the Geauga Arts Council’s West Woods juried exhibit opening on August 20, 2021. It’s called “Hibaku,” and it’s a 12 x 12 inch encaustic on wood canvas. I made a smaller version of it initially titled “Beyond,” then decided I liked it so much I wanted to make a larger one. I think it could be translated into an even bigger piece some day. It’s basically a representation of some gingko branches with a cloud filled, sky blue background.
I’m sure many artists have pieces related to or depicting how they feel about the pandemic. I knew I wanted to document some of my feelings about it, but never sat down and planned something out. This piece came as a surprise from a stream of consciousness. When working on the study, “Beyond,” I made a conscious choice to keep the leaves equidistant, incorporating my feelings on social distancing. Showing that while we are distant, we are still largely connected via lines of communication. I also wanted the hard, straight lines to boldly contrast with soft organic lines inside the leaves – depicting contrast of science and nature. The deep cuts represent our illness, the beautiful sky beyond is our hope.
The title “Hibaku” came from my research of the ginkgo tree. I like to incorporate symbolism into my work – sometimes overtly, sometimes subtly, but it’s usually there. Ginkgo trees are largely symbolic of strength and longevity. You can read an interesting web page about it linked here. I read there a shocking yet wonderful fact that after the atomic bomb was dropped on Hiroshima, “Even though scientists predicted that nothing would grow at the site for 75 years, the ginkgo trees and several others fully recovered, and ginkgo is now regarded as a symbol of endurance and vitality.” I knew when I learned that fact, I had to reference the history of the horrific bombing along with our own struggle with this “bomb” of a virus that has been dropped upon the entire world. I am an optimist, and I needed to share this amazing fact through the title of my work. In the words of Peter Del Tredici who published a paper on the subject linked here, “Hibaku is a Japanese word meaning ‘something that has experienced a nuclear bomb.’ Typically it is used in the form hibakusha meaning ‘people who have survived a nuclear bomb.’ ” While I never want to diminish the pain and suffering of the victims of the bombing in 1945, I am a firm believer in the importance of learning from history.
Now turning to the actual process, unlike most of my prior works, this one began with charcoal gray chalk paint on the surface of the wood canvas. Having a dark base, allowed me to carve into the top wax layer to reveal that base color later in the process. I really like this effect and plan to continue using the dark base in the future. It pretty much guarantees there will be some depth to my work.
Next, I coated the canvas in white pigmented beeswax. I believe I built up four layers or so, fusing with the heat gun between each layer. I then lightly carved the outlines of the branches and leaves onto the cooled wax. After that, it was time to add the blue sky color in the form of PanPastels. I love working with them, but they can be a bit unpredictable. It’s always best to test the color combinations on a separate piece of paper before using them on your work. As you’ll see in the following video, the coolest thing happens when you add the pastels – the pigments get caught in the carved outlines and accentuate them.
When I was satisfied with the addition of blue, I went on to brush the green pastels onto the leaves. Here’s what it looked like after the above steps.
Then it was time to carve lines into the leaves, tedious work but it can be meditative.
Next two photos, you’ll see me struggle with the background. Initially, I was unable to mimic the floating clouds that I had loved so much in my original study, “Beyond.” I even erased the entire background at one point.
Even when you erase something on a wax surface, there are remnants left, so it can add to the overall worn feeling and patina of the piece. I was able to get the desired background eventually after a couple more applications. I also added some red and warmth to the ginkgo stems and leaves which helped contrast them with the sky even more.
This final photo is of the initial 8 x 8 inch study I called “Beyond.” It’s currently for sale in my Etsy shop – linked here.
To see both of my accepted pieces, along with several other local artworks, visit the Geauga Parks West Woods Nature Center from August 20, 2021 through October 5, 2021. Center is open daily 10 am – 4 pm. “Hibaku” is 12 x 12 inches and priced at $88.
This is one of the very first deliberately planned encaustic pieces I ever did. It began with a very old photo of my late grandparents’ home. I digitally altered it, then pasted the print onto a wood canvas. Then came the most difficult part – painting forsythia with beeswax. I knew I wanted to paint these particular flowers with the house. It is a long held memory of mine that when we used to visit my grandparents at Easter, my grandpa would cut a few branches for my mother to take home. It was such a small, sweet gesture, but it is one of the only memories I have of my late grandfather. We did not go to see them very often. We lived only about thirty miles away, but since my father (their son) had died when I was only two, we saw them only twice a year: Christmas and Easter. I pass the house every now and then, wishing I could stop in to see my grandparents to ask the dozens of questions I never had when I was young, but only the shadows of memories live there now with the new owners.
I had to look back in my Instagram posts to find that my first draft of this piece was in May of 2018. I had originally drawn the home on a blank canvas, then added photos of the flowers over the top. It wasn’t until I reversed the process and painted the flowers over the photo, that it looked to me more like my memory. I labored over the flowers, painting and removing them several times. This process actually ended up adding a worn, gouged layer that I really like. The flowers are close, but still unclear in their detail. The home is far and unfinished, but some details remain. Dreams and memories are so difficult to capture, but I think I did grasp much of what I wanted to portray. Below are images of the first drafts in process.
Fast forward to a few months ago, and I saw the call for art for Lakeland’s May Show. I had never entered an actual show and I decided that even though it was not finished in my mind, that I should just throw my hat in the ring. It cost $15 per entry, and I entered this piece as well as an abstract. Neither got into the May Show, but this one did get chosen for the Extended Show at Stella’s Art Gallery in Willoughby, Ohio. I found out after I entered the pieces that the juror was American postwar and contemporary artist, Jae Jarrell.
Yesterday, I browsed both the May Show at Lakeland’s Gallery and the Extended Show at Stella’s Art Gallery. I saw some works from local artists I have befriended on social media and was very happy to see they had been chosen. I saw many pieces that I thought were phenomenal, and others I thought were not nearly as good as mine. I have a feeling I’m not alone in this regard, and I learned that I need to develop more of a callous when it comes to being judged. For many reasons, it took a lot of nerve to start calling myself an artist. Now I have to really act like one and roll with the punches.
I have come to realize why this creative/artistic aspect of my being is so vital. It unlocks much of the confidence within myself. I also learned that how I see my work is often not nearly how others see it – For good or bad. I need to further research who my audience is and see more art shows to better understand what is expected and accepted in particular venues. And above all, I should not hesitate too much when putting my work out there. The more irons in the fire, the easier that rejections get and the more chances I have of getting my work and name recognized. No magic nor rocket science required. I believe hard work and gratitude will carry me along this artist’s journey.
The West Woods Nature Center in Novelty, Ohio, is hosting an art exhibit featuring works inspired by insects! I submitted five butterfly pieces – one is pictured below. I also made some butterfly ornaments which will be for sale in the boutique. The show opens on February 13, 2021, and runs through April 26, 2021. Social distancing and masks are required. Follow this link for more info