beeswax art

Influential Artists Part 2: Shari Replogle

(posted 08/01/2024)

You might recall me stating one big reason I like encaustic is its versatility in the studio. I have been watching and learning from other artists since I first used the medium around 2018. Shari Replogle is an artist who taught me not to be more playful and not fear mistakes. Her web site linked here shows her talent for creating the most intriguing images from various mediums.

Image Source: stencilgirltalk.com

Shari has posted a series of videos called “Wax on Wednesdays” that are filled with beautiful, nature-inspired experiments with the medium. I especially love how many of her mixed-media art works included use of leaves and other natural materials. I found Shari’s YouTube videos to be quite addictive back in the first weeks of learning to work with encaustic. Her numerous tutorials gave me a foundation of playfulness which served me well when trying out new techniques of my own, uninhibited by expectations but with the purpose of learning. The videos are still on her YouTube page if you want to watch some yourself, linked here.

What I found most influential from Shari was the use of PanPastels with encaustic wax. To this day I consider them an essential part of most of my art works. The medium consists of powdered oil pastel which easily fuses into the encaustic wax with just a little time under the heat gun or torch. With limited time in the studio, it’s necessary to work quickly. Once I switched from pigmented wax to this alternative color option, my art work flowed much more easily from my ideas.

Here’s an older, sold piece I remember being directly influenced by one of Shari’s videos. From what I recall she had built up several layers of multicolored wax on her canvas, then carved away the top layer to reveal what was underneath. I used a picture of a chain link fence to create this pattern, and the green color on the surface was done with PanPastel. The second image is a closeup.

“Pattern Revealed” by Rachel Rivas-Plata, 8×8 in., 2020
“Pattern Revealed” detail

Influential Artists Part 1: Alicia Tormey

(posted 07/05/2024)

Occasionally people ask if I teach encaustic – currently I do not, but wouldn’t turn down a request for a demonstration of my own techniques. This is the first of a series of blogs where I will highlight why I found each of my online teachers so influential. First up has to be Alicia Tormey. As you can see from her web site linked here, she’s a knowledgeable encaustic artist who currently provides several resources and courses to artists.

Source: aliciatormey.com

I discovered Alicia on Instagram years ago after I had followed just about every encaustic artist who appeared in my “encaustic art” Google alert. At the time she was doing a Q&A series every Tuesday where she shared her experience and answered questions not only about encaustic but also regarding the business of art. Watching her invaluable live streams helped me understand various techniques, how to care for encaustic, and how to present my work. She’s simply an amazing teacher with the utmost business sense.

In my early years of working with encaustic medium, I religiously watched her posts every Tuesday and took her Learn to Burn course. She pioneered the shellac burning process herself decades ago. People love her vibrant, bursting florals, but I’m more enamored with her vast, ethereal landscapes. Her ability to make an abstract image have realistic properties has me in awe.

Here is one older piece I did that shows the shellac burning techniques I learned in her class. I haven’t gone too far in that direction with shellac (yet), but I still have my Bernzomatic torch on standby for when the mood strikes.

“Renaissance” by Rachel Rivas-Plata, 8×10 in. Encaustic Mixed Media (SOLD)