Hibaku
(posted 08/14/2021)
I am so pleased to announce this piece along with the sailboat painting I did a few months ago have been accepted into the Geauga Arts Council’s West Woods juried exhibit opening on August 20, 2021. It’s called “Hibaku,” and it’s a 12 x 12 inch encaustic on wood canvas. I made a smaller version of it initially titled “Beyond,” then decided I liked it so much I wanted to make a larger one. I think it could be translated into an even bigger piece some day. It’s basically a representation of some gingko branches with a cloud filled, sky blue background.
I’m sure many artists have pieces related to or depicting how they feel about the pandemic. I knew I wanted to document some of my feelings about it, but never sat down and planned something out. This piece came as a surprise from a stream of consciousness. When working on the study, “Beyond,” I made a conscious choice to keep the leaves equidistant, incorporating my feelings on social distancing. Showing that while we are distant, we are still largely connected via lines of communication. I also wanted the hard, straight lines to boldly contrast with soft organic lines inside the leaves – depicting contrast of science and nature. The deep cuts represent our illness, the beautiful sky beyond is our hope.
The title “Hibaku” came from my research of the ginkgo tree. I like to incorporate symbolism into my work – sometimes overtly, sometimes subtly, but it’s usually there. Ginkgo trees are largely symbolic of strength and longevity. You can read an interesting web page about it linked here. I read there a shocking yet wonderful fact that after the atomic bomb was dropped on Hiroshima, “Even though scientists predicted that nothing would grow at the site for 75 years, the ginkgo trees and several others fully recovered, and ginkgo is now regarded as a symbol of endurance and vitality.” I knew when I learned that fact, I had to reference the history of the horrific bombing along with our own struggle with this “bomb” of a virus that has been dropped upon the entire world. I am an optimist, and I needed to share this amazing fact through the title of my work. In the words of Peter Del Tredici who published a paper on the subject linked here, “Hibaku is a Japanese word meaning ‘something that has experienced a nuclear bomb.’ Typically it is used in the form hibakusha meaning ‘people who have survived a nuclear bomb.’ ” While I never want to diminish the pain and suffering of the victims of the bombing in 1945, I am a firm believer in the importance of learning from history.
Now turning to the actual process, unlike most of my prior works, this one began with charcoal gray chalk paint on the surface of the wood canvas. Having a dark base, allowed me to carve into the top wax layer to reveal that base color later in the process. I really like this effect and plan to continue using the dark base in the future. It pretty much guarantees there will be some depth to my work.
Next, I coated the canvas in white pigmented beeswax. I believe I built up four layers or so, fusing with the heat gun between each layer. I then lightly carved the outlines of the branches and leaves onto the cooled wax. After that, it was time to add the blue sky color in the form of PanPastels. I love working with them, but they can be a bit unpredictable. It’s always best to test the color combinations on a separate piece of paper before using them on your work. As you’ll see in the following video, the coolest thing happens when you add the pastels – the pigments get caught in the carved outlines and accentuate them.
When I was satisfied with the addition of blue, I went on to brush the green pastels onto the leaves. Here’s what it looked like after the above steps.
Then it was time to carve lines into the leaves, tedious work but it can be meditative.
Next two photos, you’ll see me struggle with the background. Initially, I was unable to mimic the floating clouds that I had loved so much in my original study, “Beyond.” I even erased the entire background at one point.
Even when you erase something on a wax surface, there are remnants left, so it can add to the overall worn feeling and patina of the piece. I was able to get the desired background eventually after a couple more applications. I also added some red and warmth to the ginkgo stems and leaves which helped contrast them with the sky even more.
This final photo is of the initial 8 x 8 inch study I called “Beyond.” It’s currently for sale in my Etsy shop – linked here.
To see both of my accepted pieces, along with several other local artworks, visit the Geauga Parks West Woods Nature Center from August 20, 2021 through October 5, 2021. Center is open daily 10 am – 4 pm. “Hibaku” is 12 x 12 inches and priced at $88.