wolf pup studio

Negative to Positive

(posted 05/11/2024)

Untamed is the best way to describe my process of creating cyanotypes. Sources for the images I develop outside with sunlight are quite varied, and the possibilities are so endless that I really have to reign it in every time I work on these. My cyanotypes are not just created with found objects like leaves and flowers, but I also create photo negatives from various digital images and then make the sun prints using the negatives instead. These negatives can start as photos I’ve taken with both my phone and digital camera, images of my finished art works, and some scanned images of antique ephemera. I also recently began to use photographs rendered with Midjourney Ai.

To make the process even more complex, each time a cyanotype is made from a negative, I usually change up the sun exposure time and/or the treatment of the paper. Manipulating the surface of the watercolor paper with additives like soap, salt, or vinegar can create really cool textures and effects. There is risk with additives though, since I don’t use them often I’m less sure of how the images will turn out. But that certainly adds to the fun of it all!

My creative process tends to be more intuitive than scientific, so I rarely keep detailed records when I change things up. “Mistakes” don’t bother me a bit. I’ve had several instances where I take a “bad” cyanotype and after adding beeswax and pigments it becomes a favorite Suncaustic piece. I scan most of my cyanotypes too, so that I can digitally alter them and use in other composite or mixed-media works. I’ve built up quite an interesting collection of digital images on my laptop over the years. You might even notice some of my favorite images show up time and again in different pieces.

Several of my recent cyanotypes began as digital negatives I made from Midjourney Ai images. I recently learned the technical term for creating these synthetic pictures using Ai: synthography aka synthetic photographs. My turning them into negatives and letting sunlight develop them gives them new life as cyanotypes. I like to think of it as a reincarnation of the Ai generated art when I take those images and put them through the age old cyanotype development process.

Here’s a sample piece I’m currently working on. It’s a self-portrait, inspired by how I felt as a young girl. Here’s the original photo I directed Midjourney Ai to generate:

Here’s the image after I digitally altered it on my computer. I flipped the image horizontally, cropped out some branches, added more cattails and the blue heron, and changed the whole color scheme.

This is the negative image I printed on a special translucent film:

And finally, the cyanotype image developed by the sun in 5 minutes just the other day.

The setting is similar to a pond we had on our property when I was young. It was always a big deal when we saw blue herons or cranes flying over the house on the way to the pond. I can still recall the stillness experienced whilst gazing up at the long, quiet flight of a crane over the meadow toward the welcoming water.

What Is Encaustic Medium?

(posted 02/22/2024)

I’m interested in finding a detailed answer to this question myself, actually. I’ve worked with encaustic medium for over 6 years now, and thought it’d be a well-deserved homage to my favorite art supply to delve into its history and how the medium is made and used.

Brief History of Encaustic

Beeswax is a preservative and has been used as such for thousands of years. We know the Greeks used it to protect and decorate their ships’ hulls as early as 500 BC. Going forward to the 1st-2nd centuries A.D., the Romans in Egypt used pigmented wax to paint portraits of the deceased, covering the faces and bodies of their affluent mummies. The 900 or so famous Fayum mummy portraits (one pictured below) are said to be very well preserved, retaining much of their brilliant color. Eventually, the use of encaustic in portraits gave way to a less expensive and easier alternative, tempera paint.


Mummy portrait of a young woman, Antinoöpolis, Middle Egypt, 2nd century, LouvreParis.

A resurgence of the wax painting came about in the 18th century, after archeological discoveries sparked interest in encaustic techniques. What ignited the use of the medium by artists even more in the 19th century was simply the invention of portable electric heat sources. Famous artists such as Jasper Johns, Diego Rivera, and Robert Rauschenberg are just a few who incorporated the medium into their work in modern times.

Encaustic Combinations

Since the 1990s, encaustic medium in art has become more attractive and popular as artists have discovered the myriad of ways to incorporate it into mixed-media processes and even into pottery and sculpture. This is what I personally find most fascinating about encaustic. It can be used with various other media to give an artist several paths he or she can take when attempting to master it.

Off the top of my head, I can think of a dozen different combinations to use encaustic in art:

1. Over a dried watercolor painting
2. Over a dried ink illustration
3. Over an inkjet print on matte paper (including photos)
4. Combined with cold wax
5. Combined with oil pastel
6. Combined with oil paint
7. As a ground for alcohol ink
8. Over fabric such as linen or silk
9. Over a collage
10. Over pottery
11. Over sculpture
12. Over a cyanotype (what I call “Suncaustic”)

The most important guideline I find when working with encaustic is the need to avoid pairing it with acrylics. But even that rule can be broken since I successfully use acrylic chalk paint as a ground at times.

Grounds for encaustic art vary widely according to artist preference. I usually use parchment or watercolor papers pasted to the wood canvas. Aside from that, I’ll occasionally paint encaustic gesso or acrylic based chalk paint over the wood surface before laying down the molten medium.


Encaustic Medium Sources

Image by CJ from Pixabay


I am pretty sure at most every art sales event, a beekeeper has kindly asked if I have need of beeswax. While I’m in awe of the beekeepers’ work and grateful for their care and service to the bees, I solely buy refined encaustic medium made by R&F Paints. It comes in tiny pellets which are easy to store and melt in small batches. The “refining” process filters out the organic matter left by the bees so the medium is quite clear.

Some artists create their own medium by mixing melted beeswax with melted damar (or dammar) crystals, then filtering out the organic matter manually. Damar resin (or gum) is a natural tree sap from lowland tropical trees in India and Southeast Asia. Adding more or less of the damar resin is known to result in a respectively harder or softer wax surface. I’ve never used a brand other than R&F, but will eventually to see if my surfaces end up more luminous with a different brand. I have seen some artists use only beeswax over a photo, and that works too, but the cooled surface won’t be as hard and resilient as when it contains damar resin.

While I use the clear encaustic medium in my art, I also use pigmented encaustic paints made by R&F and Enkaustikos. Very little of these go a long way since they can be diluted with clear medium. Combining pigmented wax with clear medium is also a great way to tone down bright colors or add translucency.

Care of Encaustic Art

Most of my art work made with encaustic comes with a label giving care instructions. Typically any fine art that has pigment will eventually fade in sunlight, so keeping all your art out of the sun’s rays will help them look their best for the longest period of time. Unfortunately, it seems encaustic has been avoided by some who fear it’s too fragile for them. I find it quite resilient once the wax cools and hardens. Sure if you take a sharp object and puncture or carve the surface, it won’t be the same. That would most likely be the case with an acrylic or oil painting too.

The worst thing in my opinion you could do with encaustic is leave it in a hot car. (Well, THE worst is to take a blow torch to it, but most people won’t accidentally do that.) Unfiltered sunlight can quickly cause the surface to glisten and perhaps even liquify, which is a good sign you should move it to the shade.

The melting temperature of beeswax is around 140F degrees, so I recommend avoiding storage in any area with such high temperatures. Encaustic medium (with the addition of the damar) melts closer to 200F degrees, so it’s a bit more resilient. Keep in mind some attics get very hot in the summer.

Avoiding storage in temperatures below freezing should be avoided too, some say. I’m not sure what will happen though. Right now I’ll stick an encaustic mini in the freezer overnight to see the results … I’ll share my findings with you at the end of this blog.

I’ve been asked if it’s ok to hang encaustic art in the bathroom – the short answer is yes since the beeswax acts as a protective barrier to whatever it covers. But that’s not the case with ALL encaustic art. For example, if you have a watercolor painting that’s only partially covered in encaustic, the humidity could do some damage to the unprotected watercolor. Rest assured, if I ever do make something that can be damaged by high humidity, I will note that on the label.

I believe wrapping encaustic art in tissue paper or wax paper and then bubble wrap is the best storage option, taking care that all the edges and corners are protected. I have seen a few encaustic artists on social media repairing chipped edges and corners for clients. Life happens, and maybe you end up accidentally damaging an encaustic piece. Chances are if you contact the artist or any experienced encaustic artist they can take a look and let you know if it can be repaired.

Cleaning encaustic art will really depend on the piece. As long as any art you bought from me was not covered with metal leaf, you can wipe it with a silky soft cloth (old nylons work great). Doing this can also bring back the shine on the surface should the piece lose its shine over time.

The results of the freeze test are in:

My encaustic mini looked the same as when it went in the freezer 8 hours before. I did a little more Google research on freezing encaustic art while I was waiting. I found that freezing them is a good test to see if the ground is compatible with the medium. If the surface easily chips or flakes off when frozen, an incompatible ground was most likely used. I think I can safely say that keeping them in a unheated area wouldn’t affect my pieces, but that can’t be said for encaustic art from all artists.

Sources:

Thanks to Wikipedia and R&F Paints web sites for many of the facts I shared above. Here are the linked sources I used, in case you want to read more. In fact, you can find many encaustic art teachers have very in-depth, interesting information about encaustic on their web sites.
Wikipedia: Fayum Mummy Portraits
Wikipedia: Dammar Gum
R&F Paints History of Encaustic

Making Encaustic Magnets

(posted 01/27/2024)

Over the past few months I have made several 1-1/2 inch encaustic magnets. I like to present them as gifts or a small items to sell at events, and a lot of people like them! I began with bee images created in Midjourney, then I added butterflies. I thought I’d share how I make these little pieces.

First the round images are digitally honed using Midjourney AI and Photopea (basically Photoshop). I like to change the backgrounds to showcase some of my other work, including landscapes, florals, and botanicals.

After printing them on plain white paper, the next step is to cut them out and adhere them to the round wood pieces.

Once dry, I carefully paint the edges and backs – usually black, but in this case I’m using gray chalk paint.

After the paint dries completely, it’s time to adhere the little magnets. I have tried a couple different brands and finally found some with good strength – weak magnets are no fun. One thing I didn’t think about when I did my first batch was that it was necessary to place them far enough apart, otherwise the magnets will travel a bit to get closer to one another until the glue dries.

The next day, the pieces are ready for the encaustic medium. It’s brushed on lightly twice, then fused with my heat gun.

Since I can put any image on them, you can see just how versatile these are. Contact me for pricing if you want me to make a custom set with a photo of your choice, or even a logo. Wouldn’t these make the most unique wedding and party favors? I think so!

Holly Days 2023 at The West Woods

(posted 11/15/2023)

On November 3rd & 4th, I was busy selling my art and jewelry during the Holly Days Artisan Boutique held at the West Woods in Geauga County, Ohio. I have done a couple markets per year since 2021, and this was another success!

The event ran a few hours on Friday evening and most of Saturday. This was the first time I used my new gallery wall (a white folding pegboard) which held many of my original pieces on cradled wood canvas. The table was then freed up to hold a few more larger works, some jewelry, and a white lighted tree decorated with ornaments.

All around me the other vendors had beautiful displays of some art and lots of Christmas themed decor and candy. It was great to get the holiday season rolling so soon after Halloween. My husband was kind enough to come along and help me unload, set up, and make small talk with everyone. He even picked me up a delicious burger from Manna Food Truck at the end of the night. He’s a trooper and I’m always so thankful for his help!

I debuted all thirty-one birds of the Birdtober 2023 project at the event and sold twelve of them. I even got some orders for more ornaments including a bluebird, two herons, and a monarch butterfly. Since I was asked to create these birds, I decided to list them on Etsy – currently there you can find the bluebird, the blue heron, and the hummingbird in the Ornaments section of the shop. They are made to order so if you want them for gifts, get your orders in soon!

I ran another art giveaway at this event. Two of those who signed up for my email updates got the chance to win their choice of Birdtober ornaments. One winner chose the common tailorbird, and the other chose the goldfinch. I sent those out this week. If you’re interested in getting my studio update emails (about one per month), click here to sign up. If you change your mind, it’s easy to unsubscribe.

Art that Sold

The art pieces that sold at Holly Days were quite varied in subject and process. Following is the bulk of them with a comment on each one – they are in no particular order.

“Woodland Raccoon,” 8×8 in. wood canvas. This is the 2nd or 3rd version I’ve done. People fall in love with the face of this masked creature.

“Generations,” 10×10 in. wood canvas. I like this one so much I want to do more versions of it in the future. Ever since I read about “Hibaku,” the ginkgo has been a favorite tree of mine. Click here to read more about Hibaku.

encaustic wax painting ginkgo leaves

“Hinterland No. 7,” 8×8 in. wood canvas. This is not a picture of the exact one that sold, but it is another one of which I’ve made multiple versions. I like to place the fox in different settings and keep it somewhat transparent and ghostlike.

“Lilies of the Valley III,” 8×8 in. wood canvas. This is a piece done with Midjourney AI. After covering it with wax, I embellished it with some oil pastel. I did a similar one which is quite popular on Etsy.

“Orphic Landscape I,” 10 in. round wood canvas. This was an encaustic painting I did using a Midjourney AI image as a reference. A lot of AI looks surreal and I think that aesthetic comes through clearly in this one.

“Summer’s Edge,” 8×10 framed. This one was hard to let go. It ended up selling before the show even opened! I absolutely love making suncaustic works and plan to do many more – they always seem to bring out the best of my creativity.

“Moreland Meadow No. 8,” 9×12 in. wood canvas. This landscape always made me think of Ireland since it somewhat mimics the colors of the flag. It’s got some gold and it’s just about to reveal a rainbow. Moreland Meadow was a favorite place of mine that was captured in a few photos in 2020.

These last three on 6 in. round wood canvas were part of a Female Bird Series I did last year. I painted them with watercolor, then covered them with encaustic medium.

As always, I’m very happy when people stop by and look and ask about my work. I’m so grateful to those of you who liked my work enough to take it home. If you ever see a piece you’d like me to recreate, or have a request for something new, please reach out to me via email: rachel@wolfpupstudio.com

Encaustic + Cyanotypes = Suncaustics

(posted 10/14/23)

You’ve probably learned one of my favorite combinations in the studio is cyanotype plus encaustic. I refer to them as my “suncaustics” since cyanotypes are images developed with sunlight. I dedicated one of my first blog posts (linked here) to the topic of cyanotypes. Over the last couple years I have successfully used a few different techniques I’d like to share. As with other encaustic mixed-media art, the variations of these two media put together can really be mind blowing!

This piece began as a photo I had taken looking up at some trees in the spring while on a Girl Scout hike with my daughter’s troop several years ago. I made a digital negative of it and printed it on a clear plastic sheet, then made a cyanotype. After covering it with encaustic medium, I applied some orange and yellow alcohol inks to the surface, then fused it with heat.

The next piece was created with another negative photo I had taken of some of the plastic net bags used to hold onions, of all things. After I rinsed the cyanotype I knew it had to be an aquatic image since it looked to be underwater. I added an image of a koi on top, layered with encaustic and here’s the result. The man who purchased it reacted with so much admiration for it, I’ll never forget that!

The above pieces were part of the Beachwood Arts Council Small Wonders show in 2021.

This little bluebird began as a watercolor painting I did, then scanned it to make a digital negative. I added some metallic copper PanPastels then fused with heat. I love the simplicity and contrast of the copper, white, and dark blue. It sold at the 2021 Holiday Market at Reithoffer’s Gallery in Auburn Twp., Ohio.

This next piece was sold at a former local gallery MC Studio in 2021. They put out a call for art with the theme of the moon, and I got to work drawing seed pods of a lunaria plant aka money plant. I printed a negative of my drawing to create the cyanotype. After the encaustic medium was applied, I carved some lines and added metallic pastel to give it a pretty moonglow to go with the plant’s name.

The next suncaustic had a very humble beginning. Every spring I like to take a day and create a whole batch of cyanotypes from botanicals I find walking around my yard. Here’s what the sun print looked like as I rinsed off the developing chemicals.

I really didn’t like the print, so I covered most of it with powder and oil pastel. The resulting blue undertones of the green background and vibrant flowers were a wonderful surprise to me when I was done. It sold at the last Nature & Arts Fest at West Woods in Novelty, Ohio.

And this one was pushed a bit farther. I painted over the wax with some pink, green, and gold set in carved lines, then mounted it on another cyanotype image to give it a unique backdrop in the frame. The acid wash blue effect in this piece also keeps it really interesting!

My latest suncaustic was made from one of my backyard prints. I covered the white leaves and some of the background with oil pastel – I love the blue and green combo. Then to put more life in it, I painted some yellow leaf stems on the surface. The final framed piece is listed for sale on my Etsy site linked here.

I can’t wait to see what my mixed-media experiments in the studio will bring in the future – stay tuned!

For the Birds

(posted 09/14/2023)

I have done a lot of bird art over the past few years. Why the birds? Whenever I think of my first drawings I’m always taken back to my grandparent’s house in Chardon, Ohio. They were bird watchers, and the couple always had full feeders outside the window and bird books on the shelf. In their bathroom behind the door was a huge poster entitled “Birds of North America.” It felt as if I was in a museum when I gazed up at all the colorful illustrations. 

I recall watching my brother place a piece of carbon paper under an illustration in one of the bird books, then trace it with a pen to draw an outline of the bird underneath. It was pure magic to me. I eagerly tried the trick too of course, and that seems to be where my love of drawing began. Most often, my subjects were houses, horses, butterflies, and birds. Whenever I went to their house as a young child, I would sit on the floor and pull open the bottom desk drawer which always held a stack of gleaming white paper. The top drawer held a collection of pencils and pens and a big, well worn eraser. I remember also drawing cross sections of houses too of all things while I sat on the floor – I think stemming from my love of doll houses and/or Richard Scarry books. 

So now that I think of it, that explains why I made an image of a bird the first time I ever tried encaustic medium. And I go back to them as a space of comfort and unending inspiration. The shape of birds is such a familiar, simple, curved form. It makes me think of stylistic cursive writing, in a way. Their color palettes can be simple or complex and vary as much as a bouquet of flowers. When I don’t know what else to draw, I draw birds. Here’s my first attempt at encaustic. It’s oil pastel covered with clear encaustic medium. I keep this little piece of wood on my shelf in my studio. It’s a reminder of 1) how nervous and unsure I felt when I first tried it; and 2) that trying something different can end up changing the direction of my life and revealing what’s important to me.

Of course the symbolism of birds appeals to a lot of people too. The meanings and feelings that come with images of eagles, owls, peacocks, storks, crows, swans, and doves are strongly attached. I like bluebirds and goldfinches the most, since every now and then I’ll see a bright blue or yellow one darting about our yard in the summer, my favorite time of year.

In October 2021, I embarked on an Instagram challenge called Birdtober. The directions were to follow a list made by a Texas artist, Andrea Holmes, and create art pieces of each bird for every day of the month of October. I gained a lot from the experience, and you can read about it here if you missed that post. After two years, I feel ready to take the challenge again and have started some preliminary work on the 31 birds. Next month I’ll be able to show you the complete collection of these one-of-a-kind creations. As they’re finished, they’ll be listed on my Etsy site linked here, along with some 2021 editions currently there too. I will be making the round ornaments again since they allow me to work more quickly and keep up with the daily goals.

Preservation

(posted 08/19/2023)

Encaustic medium is made from beeswax and damar resin. When working with the medium, I’m reminded of the connection to nature just by the sweet scent of it. I don’t keep bees, but looking at a photo similar to this one inspired me to pay some homage to the work of the bees.

Photo by pagala on Pixabay

I was not only struck by the beautiful pattern, but by the tones and contrast created with the empty and full cells. It got me thinking how the honeycomb itself embodies so much work and history of the bees that is so beautifully preserved by the structure and the beeswax.

In my studio, I keep boxes of antique books and periodicals which were left in our attic in our house in Windsor, Ohio. My dad’s family were descendants of the original settlers (Griswolds) that came from Connecticut to the Western Reserve in Ohio after the Revolutionary War. My late great great Aunt Sarah (Sade) Griswold was an active member of Windsor’s Historical Society and collected and donated many artifacts to the museum there. She also collected newspaper clippings which look as though they were gathered when she was quite young. She was born in 1886, became a nurse who never married, and lived to be 100! When I was a kid I used to poke around the attic and remember seeing many dusty letters, postcards, books, and photos but never really studied them. Now I take the time to really look at what Aunt Sade and my grandparents collected and think about why they thought them valuable enough to keep. Perhaps they were just hoarders? Perhaps they wanted their descendants like me to find and study them? I’ll never know.

So this piece began with some of the antique clippings from our attic. I scanned them to create digital copies which were then printed. As I cut the images from the copies, I was immediately placed in Aunt Sade’s shoes, looking closely at each clipping, literally reenacting her process. Once they were cut out, I decided to randomly paste them onto my wood canvas with no organization or reason – I suppose that represents the mystery that exists between her life and mine since I never knew her. I did not take a photo of this part – I really wish I had – but alas my composition will always remain a mystery as well since my next step was to cover the clippings in encaustic medium.

Once covered in the milky, slightly pigmented beeswax, I dusted areas of the surface with oil powdered pastels called PanPastels. I liked how they added to the mystery of what was hidden beneath the wax.

To apply the honeycomb pattern, I had first printed it onto paper then poked hundreds of holes with my needle tool into the surface, as shown in this process video.

The final step in the process was to choose some cells to carve out and reveal parts of the clippings underneath. Even though revealed, the images are still highly unrecognizable, strengthening the veil of mystery.


I called it “Preservation” since the beeswax will help to further preserve the history my Aunt Sade so fervently valued. I’m very happy this piece was awarded by the Geauga Arts Council, placing 3rd place in the Other Media category. It’s currently being shown at the West Woods Nature Center in Novelty, Ohio until October 3, 2023.

Starfish

(posted 07/15/23)

In late June we went on a trip to Emerald Isle, NC. It was my fourth time visiting North Carolina beaches, but my second visit to that particular area of the coast. I like it because there is lot of vegetation and trees there – I think that’s why they called it Emerald Isle in the first place, but I’m not sure about that. The coastline is called Crystal Coast and at times it looked like the Caribbean with white sand and jade greenish blue waters on the best sunny days. When the waves were too rough we stayed close to shore due to rip current warnings, but luckily the conditions got better as the week progressed and lots of boogie boarding ensued.

We visited the North Carolina Aquarium at Pine Knoll Shores and I loved every minute of it! One highlight was the huge tank that had an actual old sunken marine vessel in it, surrounded by several species of fish, including sharks. I also loved to see the otters playing and various ethereal looking jelly fish in some other displays. When I was a kid, we had neighbors who had a huge aquarium in their living room – I remember being excited to see it every time we visited. I was a bit frightened of some of the creatures but mostly in awe. I still feel that way when I go to an aquarium or the sea, as I’m sure many people do. It really is like being in another world when you take time to be still and closely watch.

I was so inspired I created some encaustic pieces to commemorate the experience. They can be found in my Etsy shop linked here.

After traveling to many different beaches over my lifetime so far, it’s interesting to recall the various types of landscape, vegetation, and creatures I’ve come across with each vacation. New England beaches had a lot of rocks to explore at low tide when I was young, but the water was numbing from what I recall. During trips to the Caribbean I remember seeing the most sea life on a glass bottom boat tour and a snorkel outing, and seeing an iguana asleep in a tree is a sight I’ll never forget. On our honeymoon in Jamaica, we actually went on a night snorkel that was exhilarating, but we didn’t see much other than some bottom feeders. (When you are snorkeling at night with a flashlight, you just know a shark is following your every move!) Virginia Beach had lots of crabs scurrying across the sand and it was a lot of fun to stop them in their tracks with our flashlights. Holden Beach in North Carolina is a turtle sanctuary so there were no lights allowed after dark – that place is where we unfortunately discovered “no see ums” – if you know, you know! Florida is beautiful, but I can’t remember seeing a lot of nature on my trips there other than dolphins and the occasional gecko on a wall. Hilton Head is so full of people, I think the sea creatures have long gone – or at least left the areas where we stayed – it is interesting to see their birds and the occasional alligator there. On our trip to Jekyll Island, Georgia, last year we saw sea turtles at the local aquarium as well as several dolphins that came quite close to the boat.

Back to Emerald Isle – life on the beach there was enjoyable to me in so many ways, but mostly by combing through sea shells every day. Many shells are small and broken, but they are plentiful. Occasionally groups of pelicans flew by, but I didn’t see very many birds on shore. On a boat we took to an island near the Rachel Carson Reserve we did catch a glimpse of some wild horses. And during a sunset boat ride our last day there we saw several dolphins, and a couple of them did flips!

I didn’t go too far in the water for fear of the creatures I ironically love to watch. My favorite beach pastime was looking for what I call “sand puppies” (also called sand fleas or mole crabs). You can find them by digging under air holes left in the sand after a wave subsides – the sand puppies tickle your hand trying to get back to the wet sand. At low tide the tiniest fish get trapped in warm pools and my daughter was mesmerized watching dozens of minnows nibble at our legs. We tried catching some but they’re so small they went right through the net.

One very memorable day my daughter ran up to me carrying the net and dropped it to show me what was in her other hand – a big, beautiful live starfish. I asked her to put it back in the ocean after we took some video. You might think this a bit wacky, but whenever I see shooting stars I believe they are sent to me by my father who died when I was a toddler. When that happened I really felt like he was sending a gift to us and telling me he was glad to see me enjoying life with my husband and his granddaughter, both whom he never met.

Neighbors

(posted 05/20/2023)

I painted a piece inspired by one neighbor who happens to be a horse. It’s interesting to me that “neigh” is part of the word “neighbor,” and I have a horse as a neighbor. I’d like to know the connection between the two words if there is one. But that’s not very important to this story.

When I was a kid, I used to walk along route 534 and other roads in Windsor, Ohio, quite a lot. One of my earliest memories is when I ended up one early morning at our Amish neighbor’s farm up on a hill, west of our place. I was probably 4 or 5. The kids must have taken me on a tour of the farm because I remember coming very close to a massive bull behind a fence – I can still picture his huge head and the shiny bull ring in his wet, fleshy nose. I also remember being in their dawn lit kitchen and seeing a few of the young Amish girls. They were standing in a row at the sink in gauzy white gowns with their long hair draping their backs. They must have been washing the breakfast dishes. It was like seeing a row of angels in real life to me, and I’ll never forget it.

We had another neighbor down the south side of the road who was a retired history teacher, Mr. Loomis. He and his wife lived in a beautiful brick century home. On days I roamed, I would end up at their house more often than they probably liked. I sat next to Mr. Loomis in their front room while his wife made dinner. I even stayed once and ate with them, although it could have been more than once since I barely recall. He would mostly talk to me about history of course, especially local history since he was a descendant of a pioneer family in Windsor; my family were original settlers there too. Across the road was a barn where they kept a horse – a white pony actually – named Starfire. It was a real treat if he took me to the barn to see Starfire, and I would often stop to see her when I was older riding my bike past their place to Mespo.

I had some other neighbors who caught my curiosity as well. A teenage girl invited me to play with my Barbies while she smoked and played records in her room. To this day when I hear “Tiny Dancer” I think of her. Another Amish neighbor gave me ripe strawberries from her garden when I walked by as she was weeding. I barely ever see my neighbors now. I need to get out more.

When I lived in Hudson a decade ago, I craved living in the country again. We lived in what I call a fish bowl since all the back yards faced each other. One neighbor seemed friendly, but became less liked when he reported us for having an uncontained pile of yard debris. A teenage girl behind our house spent some time with my daughter, which gave her some fond memories. I would often drive by areas with pastures and farms longing to live among the peace and beauty, raising my daughter in a more laid back community. We finally found the perfect place in Auburn Township in 2014. And to make it even better, our neighbors happen to have two horses. For years I’ve been able to look out my window and see horses grazing behind the white fence – it’s quite picturesque.

Earlier this year, I noticed our neighbor across the road was putting up a fence. I figured they might be adding livestock or maybe even goats or llamas. But, I was so happy to see a few weeks ago a new horse was there behind the fence. This horse seems very friendly though. Every time we are outside with the dog he stops eating and comes to the fence to watch us, like he is saying hello. One early morning I saw a man walking down the road stop to interact with the new horse, most likely feeding him too. Even though he’s a tall chestnut colored horse, he reminds me of Starfire in his demeanor.

This new neighbor has been my obsession the last couple weeks in the studio. I set out to make an image that is simplistic with the calm, country feeling you have when you’re in the most beautiful parts of northeast Ohio. The piece began with encaustic medium over an encaustic gesso base. I then did most of the image in oil pastels and a bit of walnut ink.

As you can see, it has taken me a lot of time and trials but I’m happy with the result. The encaustic painting “Country Neighbor” represents my gratitude for all the farmers, horse and other livestock owners that are in our community. They make our surroundings so much more enjoyable, tranquil, and serene. I hope by painting this it will bring that same feeling into someone’s home. Follow this link to my Etsy Shop.

I’m excited to paint more horses. I drew them a lot when I was a kid. When I sit at my computer in my studio, I have a great view of my new neighbor – I can see him right now grazing between the trees. One of these days I’ll have to go introduce myself.

AI Meets Encaustic, Part III

(posted 05/14/2023)

If you have followed me at all lately, you can tell I am having a lot of fun working with the AI system called Midjourney. I’ve “conjured” well over 200 images using it. I’ve had it create patterns, botanicals, landscapes, round images, abstract art, portraits, and the list goes on. Quantity over quality is definitely where I’m at in the process. I have experimented enough to find a niche of a certain style that feels right, for now.

Painting with words is how I can best describe the process. You type in descriptive words on your own or copy those of the art pieces you like – they are constantly being produced by other subscribers out of the general system. Most of what I see on Midjourney when I scroll through other artists’ work has a futuristic/science fiction look similar to the first one below, but I do my best to avoid those results because my goal is to be unique of course. Overall, Midjourney is to an artist a brilliant way to quickly draft an image of a piece one is thinking of, but can be frustrating when the words aren’t interpreted the same way by AI.

Midjourney Images

What makes AI fun, but like a roller coaster, is the rapid pace at which I can create images. But, to make art that truly represents my purpose and aesthetic has taken me a very long time and quite a few errors. I’m excited to continue to share what I’ve conjured using AI. The work I’ve done lately has a strong visual presence. I don’t like these enough to use them in my encaustic, but they’re quite appealing and show yet another avenue of my individual creativity.

Related Stuff

Midjourney AI Meets Encaustic Wax Part I
Midjourney AI Meets Encaustic Wax Part II

The Jewelry and Some Old Scars

(posted 04/30/2022)

If you have seen my table set up at local events or looked at my Etsy shop, you will undoubtedly always see some beaded jewelry for sale. When I was in high school, the art room was my escape from being the target of some bullies who picked on us fat kids for sport. My teacher allowed me to go there during gatherings like lunch and study hall where I would otherwise mostly pretend I was reading a thick novel to avoid eye contact with anyone. As part of the art curriculum, I remember making a silver ring and a brass pin. I still have the pin, here’s a picture.

When cutting the metal for this piece, the blade slipped and I put a pretty big gash on the side of my finger. I desperately tried to hide the nonstop blood and avoid attention but was ultimately sent to the office where they dressed the wound (and I of course lied when asked if I had a tetanus shot ha ha!). I can barely see the scar anymore, but it’s there. The bullies are gone from my life thank God, but the mental scars never fully vanished either.

Fast forward to around 2010 when my daughter was a toddler. I was a stay-at-home-mom who quit work when she was born because I wanted to be the one to raise her. Even though I knew it was the best decision for me and her, I felt an enormous amount of guilt and shame for not “working.” That’s when I decided to go to the local craft store and purchase some jewelry making supplies so I could start blooming where I was planted at the time.

I created an LLC called Raeca Jewelry, using a combination of my name and my daughter’s, Camille. Well, not knowing much about the principles of business, I am sure I spent more money on supplies than necessary and it quickly became a hobby rather than a business. I created the Raeca Jewelry shop on Etsy, had business cards made, then sold a few items to family. A friend suggested I try selling it in person, but my anxiety about being in public (stemming from high school no doubt) always made me shudder at the thought. I ended up giving away most of what I made as gifts.

Fast forward to 2018 and beyond. By this time I had gravitated toward doing wall art work again and discovered a new medium called encaustic which is painting with a mixture of beeswax and tree resin. I closed the Raeca business and opened Wolf Pup Studio. My studio became filled with beeswax, heated tools, pastel pigments, brushes, and wood panels. In 2020, a great friend (and art buyer) introduced me to a lady hosting a local art event where I could set up a table outdoors. Up until that point, I had sold a few encaustic pieces through some local shops. Being my shy self, I figured there wouldn’t be many people at the sale due to the pandemic so I took the leap. Happy ending – I sold lots of my art and jewelry that day! And after attending a few more art markets over the past couple years, I’m much less anxious when selling in person.

My jewelry supplies are still on a shelf in my studio, and I pull them all out occasionally. I think I’ll always make time for the jewelry. It’s meditative and fun, and that’s simply why I still like to do it.

Lessons from Birdtober

(posted 10/30/2021)

I am happy to announce I have completed my final bird of Birdtober 2021, a chance for artists of Instagram to show off and/or improve their bird art skills for each day of the month of October. This challenge came from a super talented Texas artist who has my gratitude for the inspiration and education: Andrea Holmes, whose web site is linked here. She brought awareness to the TCA Texas Lights Out for Wildlife campaign, which encourages turning off non-essential lights from overnight during the four months of peak migration, September, October, April, and May. More information can be found at tcatexas.org.

If you are interested in purchasing any of my encaustic birds done on 3 inch wood ornaments, you can find the remaining few in my Etsy shop linked here. Encaustic is something that is far more interesting to experience in person. It has a glow, texture, and scent you obviously don’t glean online.

Here are the 31 birds, keep in mind the photos are in descending order:

Artist choices: 2. Painted Bunting; 9. Short-Eared Owl; 16. Oriole; 23. Piping Plover; 30. Cardinal

Thank you for looking! This ended up being a super rewarding challenge, and I will probably do another one next year. Here are some of the valuable lessons I took from the month’s work –

Work at art. I often create new pieces just as experiment or “playing” in the studio. It’s quite different in a good way for me to have assignments. I’m not often motivated to create lots of art, so this has helped me generate a lot more items to sell than I normally would in a month’s time. I think I should pay attention to that and set more goals for myself in order to bulk up my inventory.

Don’t rush. I didn’t make many mistakes, but I did when I rushed through the work and/or was not “in the moment” but thinking of something else. This proves the fact for me once again that multitasking does not work, and the ability to focus is a wonderful asset. Lists help me stay on track and not forget steps such as signing my drawings. Yes, I forgot to sign one before applying the wax – hopefully just one. I also forgot to paint the edges black on a few.

Be prepared. This was probably my biggest lesson learned. In order to post daily, I created a system to work on groups of birds, usually four at a time. The encaustic ornaments required several steps, including drying time for the paste, so it was always better for me to repeat each step four times in a row rather than work on the entire process at once. My brain is wired that way and I work efficiently like this at my day job, so it was easy for me to create a system and follow it. Giving myself the time to do it was the challenge. I had to look at my calendar weekly and plan which days were available to spend a few hours at a time in the studio.

Don’t compare. If you search the hashtag #birdtober or #birdtober2021 you can see the beautiful work posted by all the participating artists. I’m not the best and I’m not the worst. Where I fall in the middle does not matter to me because when someone looks at the work I create I know mine stands out as unique. Encaustic medium also gives the pieces distinction. I think most encaustic artists have their own unique style and process and that’s one of the reasons I love the medium. My pieces are truly one-of-a-kind.